70纽约/华盛顿反战**记录,马丁参与了影片的指导、剪辑和部分拍摄工作;虽被认为是“Ciné** Verité”,但过强的政治意见让这部作品被束之高*,在此完全可以理解并认同MarcRaymond在 "Politics, Authorship and History: the Production, Reception and Marginalization of Street Scenes 1970." 一文中避免政治标签的观点(这篇文章也是本片最详细的解读,且在Rarefilm上甚至还有MarcRaymond本人的评论…)
(开展一个多月后我终于观看完全片……)About hard hat riot. Towards the end, someone said “this is redirecting our energy towards people we should not hate.” But somehow it got ignored and never got picked up again. 整个conflict更像class war,两个群体的经验因为经济与资源上的差异而无法共通,而相互都认为是信念上的不同产生的差异
[Deleted]
70纽约/华盛顿反战**记录,马丁参与了影片的指导、剪辑和部分拍摄工作;虽被认为是“Ciné** Verité”,但过强的政治意见让这部作品被束之高*,在此完全可以理解并认同MarcRaymond在 "Politics, Authorship and History: the Production, Reception and Marginalization of Street Scenes 1970." 一文中避免政治标签的观点(这篇文章也是本片最详细的解读,且在Rarefilm上甚至还有MarcRaymond本人的评论…)
unsolicitedmug
(开展一个多月后我终于观看完全片……)About hard hat riot. Towards the end, someone said “this is redirecting our energy towards people we should not hate.” But somehow it got ignored and never got picked up again. 整个conflict更像class war,两个群体的经验因为经济与资源上的差异而无法共通,而相互都认为是信念上的不同产生的差异